Anemones...are often compared to gems, flowers, branches and submarine forests. In this way, maritime flora and fauna glide effortlessly into the world of artifice, where natural matter is socially reorganized so as to produce a distorted mirror of human life, a fantasy vision filled with anecdotal narratives and bizarre phenomena.

Loaded with feminine implications, these curiously beautiful Zoophytes are not flowers, but animals - sea monsters, whose seemingly delicate petals are but their thousand Briarean arms, disguised as the petals of a flower, and expanded to seize the unconscious victim as he passes near the beautiful form - fatal to him as the crater of a volcano, in which he is soon engulfed by the closing tentacles of his unsuspected enemy.

The survival skills of sea anemones as "engines of war" were only relatively rivaled by the reproductive powers of starfish, whose self-destructive tendencies intrigued aquarianists: "For sentimental performances we have the Sea Cucumber and the Starfish. Some of the former, when irritated, deliberately commit suicide by expectorating the whole of their intestines, leaving their empty shells behind. Some of the latter...suddenly explode themselves into fragments, as though filled with gunpowder, and touched off by electricity."  

J.W. Waterhouse,
Siren, c. 1900

Waterhouse paints a Siren gazing regretfully at the drowning sailor she has drawn to his doom through her beautiful music.
The sea-nymphs chant their accents shrill;
And the Sirens, taught to kill
With their sweet voice,
Make every echoing rock reply,
Unto their gentle murmuring noise.

Thomas Campion (1567-1620),
'In Praise of Neptune'
The Greek hero Odysseus, advised by the sorceress Circe, escaped the danger of their song by stopping the ears of his crew with wax so that they were deaf to the Sirens; yet he was able to hear the music and had himself tied to the mast so that he could not steer the ship out of course. Another story relates that when the Argonauts sailed that way, Orpheus sang so divinely that none of them listened to the Sirens. In later legend, after one or other of these failures the Sirens committed suicide. In art they appeared first as birds with the heads of women, later as women, sometimes winged, with bird legs.

The Sirens seem to have evolved from a primitive tale of the perils of early exploration combined with an Oriental image of a bird-woman. Anthropologists explain the Oriental image as a soul-bird--i.e., a winged ghost that stole the living to share its fate. In that respect the Sirens had affinities with the Harpies.

Celeste Olalquiaga,
The Artificial Kingdom
Background: Nobuyoshi Araki